Chicago indie rockers This House Is Creaking experiment with lots of styles, but because they’re so clearly amusing ...

Wayne Bennett put a shine on beloved recordings by Otis Rush and Bobby “Blue” Bland, but he only cut one single under his own ...

The Moviegoer is the diary of a local film buff, collecting the best of what Chicago’s independent and underground film scene ...

Fem’s tenacity is laudable, and his first concert of 2026 feels major: He’s curated a showcase of local hip-hop at the Ramova ...

Pinwheel Records holds a sale to help with its imminent move, and two festivals this weekend take over three venues with 40 ...

Yearning has been a key part of emo since its beginnings as a politically oriented movement within the mid-80s posthardcore scene of Washington, D.C. Those young punks, many of them just emerging from ...

Glass plays rock ’n’ roll like it’s the only thing that matters, even when it sounds like a rickety lean-to that could ...

In her multimedia artwork Pandora Box, Ziyi Zhang uses photo-recognition technology and social media to find the people ...

As funding cuts threaten Pilsen’s murals and war destroys Ukrainian mosaics, two communities are learning what makes public art endure.

A Three Queens Banquet shows off new work from the cofounders of a theater services company focused on Latine, queer, and disabled voices.

Modern Nature's most recent album, The Heat Warps (Bella Union), puts a big bend in the arc of the group's musical development.

Prekop has been releasing solo albums since 1999, but this is the first time he’s tried to capture a “definitive version” of ...